While still a student, Roccoberton also served as Technical Director of the 1976 National Puppetry Festival of the Puppeteers of America in New London, where he met festival director and celebrated puppeteer Margo Rose, who also became a major inspiration for Roccoberton's career.ĭesigned and directed by Bart Roccoberton Roser became Roccoberton's mentor, and his famed paper-sculpture technique has been an important influence ever since. Roccoberton met many significant puppeteers at UConn, including German marionettist Albrecht Roser, whom Roccoberton helped bring to UConn as a visiting artist. After learning about UConn's Puppet Arts Program, Bart and his wife Marjorie decided to move to Connecticut so he could pursue a MFA degree with Frank Ballard. After graduation, Roccoberton became the Technical Director of Atlantic Community College's theater program, and began to perform puppet shows with his friend Jim Albertson at the Historic Towne of Smithville. Rise Into Puppetry While studying speech and technical theater in the early 1970s at Montclair State College, New Jersey native Bart Roccoberton was introduced to puppetry by one of his professors, and chose to produce Bertolt Brecht's one-act play The Beggar or the Dead Dog with marionettes as his final project. It’s Always Pandemonium features over 90 puppets, masterfully designed and crafted over the past four decades by Bart Roccoberton, his Pandemonium collaborators, and countless UConn Puppet Arts students under his guidance. #Pandemonium movie 2000 professionalRoccoberton, Jr., from his touring days with his Pandemonium Puppet Company to his founding of the Eugene O’Neill Theater Center’s Institute of Professional Puppetry Arts and now to his work building puppets and puppeteers as the Director of the UConn Puppet Arts Program. It’s Always Pandemonium celebrates the ongoing puppetry career of Bart. As I dug deeper into the rich and wildly varied history of Bart’s career while researching and curating It’s Always Pandemonium, my appreciation for these lessons and opportunities has only increased. Bart Roccoberton’s teaching pushes his students in many ways, as artists, craftspeople, and storytellers, enveloping them an entirely new and rich community. In retrospect, I realize that notion was only the tip of the iceberg. #Pandemonium movie 2000 how toBefore embarking on this adventure, I had assumed I would be learning basic techniques for building puppets, as well as how to refine my skills as a puppeteer. Curator's Statement As a graduate student in the University of Connecticut’s Puppet Arts program, I have spent the past three years under the tutelage of Bart.
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